Once again, the August Bank Holiday brought tens of thousands to Reading for one of the UK’s most famous festivals, and this year’s edition could be one of the most eclectic in recent memory. Over three days, Reading Festival 2025 served up a unique combination of generational breakouts, nostalgic reunions, and experimental performances that made us all think about why this continues to be a rite of passage for music fans.
The Rise of Chappell Roan
If there was one artist who defined this year, it was Chappell Roan. Dressed like a gothic burlesque villainess, her Saturday night set on the Main Stage felt less like a performance and more like a coronation. Tracks such as “Super Graphic Ultra Modern Girl” and “Femininomenon” had the crowd roaring in unison, while her finale of “Good Luck, Babe!” and “Pink Pony Club” turned the field into a euphoric mass sing-along.
It wasn’t just the music — it was the sheer theatricality. Towering castle-like staging, dancers in vampiric costumes, and a confidence that suggested she’s not only pop’s brightest rising star but also a future headliner. Many left convinced the festival had its next Glastonbury-sized icon.
Chappel Roan at Reading Festival 2025 – Photo credit: Luke Dyson
Hozier and the Art of Intimacy
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Where Roan and BMTH went big, Hozier turned inward. His Saturday evening slot brought an almost spiritual calm to the site. Songs such as “Take Me to Church” and “Eat Your Young” had a haunting resonance, reminding us all that sometimes the best sets at a festival are the ones that silence a crowd into reverence rather than stirring them into frenzy. While playing at Reading, Hozier stopped his music and brought a powerful perspective. In front of a sold-out crowd, he spoke candidly about Gaza, calling for “a meaningful political solution” instead of what he called “lip service”. They were political words, but more importantly, they were words of compassion.
He praised artists to are ready to tell the truth, reminding the audience that free speech and honesty in music is what makes festivals like Reading worthwhile.
The Irish singer urged unity, stressing that what people ultimately want is harmony:
“People want their neighbours to live in peace and safety. They don’t want anyone — Jewish, Muslim, LGBTQ+, whoever they are — to live in fear of hatred, racism, antisemitism or Islamophobia. What people want is respect, dignity… and peace.” He concluded by stating that true safety and security means “seeing a Palestine that’s free from occupation and ‘free to move towards meaningful self-determination and statehood.”
The audience responded with cheers, which echoed back to him, and the field was transformed into something more than just a concert — into a place of common ground for compassion.
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But despite the power of his message, the BBC hasn’t shown any of Hozier’s performance — much to the dissatisfaction of many of his fans who took to social media. One mom even posted that her daughter was looking forward to seeing the show online and was disappointed when nothing was shown.
And finally, when it sunk in for him, the audience gave him what he deserved — a raucous round of applause that rang across the field in this moment of Reading Festival history.
Bring Me the Horizon: A Cinematic Headline
On Saturday, Bring Me the Horizon proved why they’re one of Britain’s most inventive heavy bands. Their headline set fused metalcore ferocity with video-game inspired visuals and a sci-fi storyline that played out on massive LED screens. Circle pits exploded during “Happy Song” and “Shadow Moses”, while the surprise of the night came with an emotional cover of Oasis’ “Wonderwall”, sung by tens of thousands under the Berkshire sky. With pyrotechnics, confetti, and even a political edge as Palestinian flags were waved on stage, BMTH’s performance was both spectacular and poignant — the kind of show Reading headlines are made of.
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Bring Me the Horizon at Reading Festival 2025 – Photo credit: Sarah Louise Bennett
Nostalgia and Chaos: Limp Bizkit Bring the Party
For many, the most raucous moment of the weekend came courtesy of Limp Bizkit. Fred Durst and Wes Borland rolled back the years with nu-metal anthems “Nookie” and “Break Stuff”, turning the pit into pure mayhem. Their cheeky mix of covers — from Metallica to George Michael — kept fans guessing, while the communal scream of “Behind Blue Eyes” created an unlikely moment of tenderness amid the chaos.
Limp Bizkit at Reading Festival 2025 – Photo credit: Ben Awin
Travis Scott Wraps Up Reading Sunday with Earth Shattering Performance
Travis Scott transformed Reading into his own planet. As soon as he burst onto the Main Stage, the energy was insane — pyro, lasers and a tidal wave of bass to shake the field. Each beat hit like tectonic plates shifting as he raced through “Sicko Mode“, “Goosebumps” and selections from Utopia with the audience bouncing like it was a human wave and mosh pits popping up across the field as if fireworks had been popped off like firecrackers. What made it emotional was the connectedness: thousands of voices screaming every word back at him, strangers on strangers’ shoulders, arms flung to the sky, swept up in his world. For one hour Reading wasn’t a festival site — it was Astroworld reincarnated with Scott’s genius as its ringleader.
Rising Stars and Surprises
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Aside from the headliners, Reading 2025 upheld its tradition of breaking new talent, as Wunderhorse moved up from last year’s BBC Introducing Stage to commandeering the Chevron Stage with grunge-sounding rock that was both raw and ageless. Bloc Party brought some early 2000s nostalgia to their loyal fans, as well as some new material, reminding everyone just why they are indie legends.
Caity Baser pulled off a packed secret set moments later, which mushroomed over social media, while Wallows managed to shake off technical gremlins to win over a packed crowd.
A Festival of Contrasts
For many years Reading Festival 2025 will be remembered for the weekend’s many contrasts — pop theatre and metal mayhem, an unbridled nostalgia coexisting with genuine rising talent, and sublime moments amid uncontrollable chaos. One moment punters were focused on a Lim Bizkit pit, only to be quieted with Hozier’s stunningly soulful voice, before throwing glitter at Chappell Roan’s pop fairytale; and before we knew it was Sunday night, Travis Scott had made the site his universe, an explosive conclusion that shook our soles! Weekend 2025 was so diverse that it showed Reading giganted in this variety, where the origin of a fan’s moment made their subsequent moment possible; and just as the weekend where unpredictability became unforgettable.
When the last firework pops in Sunday night, it is very clear that Reading Festival is not just keeping up with changing times, it is leading the charge on what new festivals can be.
Wasing Estate, one of the UK’s most picturesque rural estates, is delighted to announce the return of its annual ‘Pumpkins & Woodland Trail’ event this autumn, open on selected dates from 16th-31st October. This charming seasonal experience offers families the perfect opportunity to embrace the beauty of autumn, right on their doorstep, with enchanting woodland trails, delicious seasonal treats and stunning countryside views – so get your wellies ready!
Nestled in the heart of Berkshire, Wasing Estate invites visitors to explore its magical woodland trail, thoughtfully designed for little ones and filled with plenty of picture-perfect moments for the whole family. Spot woodland creatures inspired by those found on the estate, visit the peaceful area of reflection to make a wish at the wishing well and light a candle for a loved one, before exploring the mysterious Witch’s Apothecary.
Leafy pathways lead to Wasing’s rustic pumpkin patch, where a charming fairytale pumpkin carriage awaits. After enjoying the scenic trail with plenty to spot along the way, guests can make their way to the pumpkin field – wheelbarrow in hand! – to pick their perfect pumpkin.
Once the pumpkin-picking is done, visitors can head to the cosy stretch tent to choose from a wide selection of specialty pumpkins to complement their Jack O’Lantern, before tucking into delicious seasonal treats. From Wasing organic beef pasties and sausage rolls to warming pumpkin soup, the menu showcases the very best of Wasing’s estate-to-plate ethos, using organic beef reared on the estate. Crêpes, doughnuts and pizzas will also be on offer – the perfect way to round off an autumnal day out before heading home to carve their perfect pumpkin.
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Faith Knight, Head of Communications at Wasing, says:
“We’re delighted to welcome visitors back to Wasing this October for the sixth year of our Pumpkin event. It’s become a much-loved autumn tradition for local families, and we love seeing visitors return each year to enjoy the beauty of the estate, pick their perfect pumpkin and create special memories in nature”
Rooted in Wasing’s ethos of Deep Connection – to self, to one another and to the natural world – this much–loved event invites families to slow down, reconnect and create lasting memories in the heart of nature. Fresh from being named the UK’s Most Desirable Venue by Bridebook, Wasing has become the destination for meaningful experiences in nature, offering memorable moments that celebrate the beauty of the estate throughout the seasons.
There is something about Reading Festival that you simply cannot replicate elsewhere. Every year, thousands of music fans descend on Richfield Avenue knowing that they are in for a weekend of huge performances, packed crowds, new discoveries and, almost certainly, some questionable weather. Reading 2026 was no different.
Across the weekend, the festival once again offered a huge variety of music, from rock and indie to rap, pop and electronic music. With major names including Charli XCX, Fontaines D.C., Dave, RAYE, Florence + The Machine and Chase & Status, there was plenty to keep the crowds moving from the opening acts through to the headline performances.
For us, one of the standout moments came from Charli XCX. Following the enormous cultural impact of her Brat era, it would have been easy to simply recreate that formula, but she chose to do something very different. Her performance was darker, more theatrical and heavily influenced by the sound and aesthetic of her latest work. A live band and army of dancers gave the set a completely different feel, while tracks such as 360, Von Dutch and Guess ensured that the Brat faithful still had plenty to scream along to.
There was also a reminder that Reading is a festival where you can stumble across something completely unexpected. Royal Blood surprised fans with a secret set at The Gallery, turning the tent into one of the liveliest places on site. Moments like this are part of what makes a festival special — you can plan your entire weekend around a timetable and still end up talking about something you never expected to see.
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The weather, naturally, had its own plans. Rain arrived during the weekend and quickly transformed sections of the site into the familiar mixture of mud and wellies that British festival-goers know all too well. Rather than killing the atmosphere, it became part of the experience. Fans carried on dancing, artists played through the conditions and the festival carried on regardless.
Away from the biggest stages, there was plenty to discover. Geese, Declan McKenna, James Marriott, Skye Newman and Villanelle were among the artists providing some of the alternative sounds across the site, while the festival continued to give younger and emerging performers an opportunity to play to a much larger audience.
And that is ultimately what keeps Reading relevant. It isn’t simply about the headline acts. It’s about discovering an artist you hadn’t heard before, arriving at a stage because you have heard a great song from somewhere, bumping into friends in the crowd, getting completely soaked and still refusing to leave, or finding yourself watching a surprise performance that wasn’t even on your original plan.
Reading Festival 2026 delivered all of that. It was big, loud, unpredictable and occasionally very muddy — but above all, it was fun. And isn’t that exactly what a summer festival should be?
Pepsi MAX presents Reading and Leeds Festival is set to return next week (27th – 30th August 2026) and has today unveiled details of an expanded Sustainability Charter implemented across both sites.
‘Look Out For Our Planet’ is an all-encompassing planet-focused pledge that aims to deliver meaningful change over the course of a number of years at both festival sites. A partnership between festival organisers and festivalgoers, this is a call to action that encourages vital next steps in the long-term commitment to a sustainable festival industry. Since 2019, Reading and Leeds Festival has seen a meaningful change in consumer habits, with almost two-thirds of tents taken home in 2025. The festival looks to build on this in partnership with festivalgoers coming to both sites in 2026.
In 2026, the ‘Look Out For Our Planet’ pledge includes:
The Campsite Clearance Commitment: A brand new initiative implemented at both festival sites which commits to the Festival Campsites being cleared and returned to their natural state within two weeks following the festival.
TheBallroom Stage to be powered 100% by Green Energy: Reading Festival will see a festival-first partnership with Grid Faeries and Ecotricity teaming up to power the brand-new Ballroom Stage with fossil fuel-free power. Utilising the Grid Faeries battery system (which with the stored energy and additional wind and solar generation could power an average UK home for 425 days) and green energy supplied by Ecotricity, it marks another major milestone in bringing large-scale renewable power to the UK festival industry.
Local Litter Picking Volunteers: Litter picking group volunteers from Litter Free Leeds and Life’s A Beach will be in the campsites at Leeds and Reading respectively, engaging with and encouraging customers to be proactive about keeping tidy campsites.
Collaboration with local Repair Cafe Networks: New campsite Repariums stalls focused on extending the lifespan of campsite gear by fixing items rather than allowing them to be discarded. festivalgoers can bring broken or damaged items to the hub to be fixed by a group of volunteers, including campsite gear and clothing. Run by local volunteers from the established Repair Cafe networks of Berkshire and Leeds.
100% compostable and plastic-free food & drinks packaging + cutlery: Implemented across both festival sites, reducing the use of single use plastic which is a long term commitment at Festival Republic. All drinks from bars and food vendors are served in aluminium cans, paper cups, or recyclable tetrapak.
Local Community Partnerships: Both festival sites have teamed up with 50+ local community groups and charities to redistribute any usable materials post-festival. Food donations will be collected by Oxford Food Hub and Leeds North & West Foodbank who do incredible work within their respective local communities.
The ‘Look Out For Our Planet’ pledge is a partnership between organisers and festivalgoers. As a part of this, organisers provide the tools for festivalgoers to honour this pledge by considering green travel options, using the bins provided and taking all camping gear home so nothing is left behind at the event amongst others. This pledge and more information can be found at: https://www.readingfestival.com/info#staying-green
This extends to creating a festival environment which is sustainable and supportive of all within it. As an extension of their ‘Look Out For Each Other pledge’, the festival works closely with local authorities to maximise safety and wellbeing at the festival. This includes:
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AIR Hubs: Back for 2026, AIR Hubs will be located across the campsites and arena at Reading and Leeds. They will provide a 24 hour facility over and above the existing security and stewarding teams, situated in multiple locations in and amongst the camping areas. AIR is an acronym for ASSISTANCE, INFORMATION & RESPONSE and they will be working with local community groups and charities to run these hubs, with the support of existing safeguarding and welfare partners at the festival. The groups involved with the Reading Festival AIR Hubs to date are WAVES, Reading Schools, CGL, Berkshire Women’s Aid, Safer Spaces, Sport in Mind, Oxfam, Aurora New Dawn and Soulscape. At Leeds Festival these hubs will be run by groups and charities including Andy’s Man Club, Angels of Freedom, Leeds North and West Foodbank, Leeds Society for Deaf and Blind People, People Matters, Sport in Mind, Ssafe, St George’s Crypt, The Opal Project. Festivalgoers will never be too far away from a friendly face or listening ear when in the campsites.
Collaborations with various charities and welfare providers: These include Safer Spaces, Festival Medical Services, Emergency Doctors Medical Services, Centurion Medical, The Welfare Crew, iThinc, W.E.L Safe, Samaritans, Salvation Army, Narcotics Anonymous, Alcoholics Anonymous, Street Pastors, Brighter Futures for Children, Stamp Out Spiking, TVP Consent Tent, Festival Angels, Forward Leeds and more, ensuring a safe, inclusive environment for reporting and support.
Sensory Calm Space on both sites: Run by charity Event Well, the space can be used by anyone who may be feeling overwhelmed or overstimulated on-site, offering a quiet environment to calm down.
Festivalgoers may be subject to more enhanced searches of bags and personal belongings. It is politely requested that everyone cooperates with any security requests and searches, and are advised to pack light.
#LookOutForEachOther posters and screens will be displayed on-site, promoting conversations about drug and alcohol safety, respect and consent within the R&L community.
CCTV recording is in operation across the festival site for crime prevention and public safety.
Reading and Leeds both support the ‘Ask for Angela’ campaign which is operational at all the venues, bars and briefed to all staff members. If you ever feel uncomfortable, ask for Angela and you will be provided with assistance.
Reading and Leeds Festivals are inclusive, supportive places and want attendees to come and have the time of their lives whilst still keeping safe. Unfortunately, a small minority of people do try to bring drugs into the festivals. R&L urges attendees not to attempt to bring any drugs with them or attempt to buy any on site. This year’s festivals have redesigned the search process on the first-time entry and re-entry gates. If you’re found with any amount of drugs on your person, or drug dogs indicate you may have something with you, you will not be permitted access to the festival and may face criminal charges. There is no safe level of drug use and R&L don’t want you to ruin your weekend before it even begins. If you do find yourself in trouble, or you or your friends have taken something that doesn’t feel right, please find one of the help points and get help immediately.
Through partnering with Stamp Out Spiking, Reading and Leeds Festival recognise that spiking is a crime, and support is required for anyone who feels they may have been spiked. Staff and volunteers operate from a place of belief, so R&L encourage anyone who feels they or someone else has been spiked, to report it immediately so we can support as required and get them the required help.
Reading & Leeds Festival are committed to mitigating violence in any forms but recognising the need to focus on Violence Against Women And Girls. R&L acknowledges that to stop such crimes, we must work together. Therefore, awareness will be formed through staff and volunteer briefings while promoting how to be a ‘Good Bystander’. Ticket holders are encouraged to report any signs of violence or something that doesn’t look or feel right to any member of staff, volunteer or via one of the help facilities. This year, R&L have partnered with Safer Spaces who aim to prevent domestic abuse and sexual violence, against women and girls, at festivals and events through education, training and immediate specialist support.
Speaking about the ‘Look Out For Our Planet’ and ‘Look Out For Each Other’ pledges with just under two weeks to go until Reading and Leeds Festival 2026, Melvin Benn, Managing Director of Festival Republic, said:
“As a leading festival in the global festival calendar, Reading and Leeds Festival takes our responsibility to open up new sustainability models and initiatives with the utmost importance. This year we’re happy to unveil new measures across campsites, staging and within the local community which shows how a festival’s impact can be positive for the environment. It’s vitally important in this partnership that the festival works with its fans to achieve this goal – and we look forward to continuing the great work of recent years with festival fans in 2026.”
Pepsi MAX presents Reading and Leeds Festival returns at the end of August as the definitive UK festival experience – with this year’s headliners Charli xcx, Fontaines D.C., Dave, RAYE, Florence + The Machine and Chase & Status leading a lineup boasting the likes of Sombr, Skepta, Role Model, Gunna*, Blossoms~, Loyle Carner*, Geese, Jade, Josh Baker, Declan McKenna, Holly Humberstone, Kneecap, Maisie Peters, Slayyyter, Skye Newman, Chris Stussy*, James Marriott, The K’s~, Arthur Hill, Keo, Viagra Boys*, Kingfishr, Jamie Webster~, Bleech 9:3, Westside Cowboy, Florence Road, Silva Bumpa and many more. For the first time ever, Leeds Festival will welcome Kasabian as a Thursday night headliner, with a brand new arean layout seeing six new and improved stages redefining the Reading and Leeds Festival experience into a 2.0 era.
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