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First Names Unveiled For Womad Festival Charlton Park’s 10th Birthday

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28-31 July 2016, Charlton Park, Wiltshire, UK
Line-up includes GEORGE CLINTON, BAABA MAAL, IBRAHIM MAALOUF and much more
Early-bird tickets sold out, general release on sale now

This July, WOMAD Festival will be hosting its global party in the grounds of Charlton Park in deepest Wiltshire for the TENTH time from 28-31 July. Time flies when you’re having fun putting on the most eclectic and far-reaching music event on the UK festival calendar. And now it’s time to announce the first wave of artists who’ll be heading for this particular corner of paradise this summer.

If ever there was a man and band who know how to get a party started, it’s surely George Clinton Parliament Funkadelic. The commander-in-chief of the psychedelic end of the funk spectrum, George has been an extraordinary showman for the best part of half a century now and shows no sign of taking his foot off the gas. Come July, he’ll be putting one festival under a groove, for sure.

George says: “It would be ludicrous to think that we are new to this, we do this cos we got that doo doo.”

For such an important milestone in WOMAD’s 34-year history, the festival welcomes the return of the Senegalese musician, statesman and icon Baaba Maal. Since making his WOMAD debut several decades ago, Baaba has become one of African music’s most globally celebrated superstars – as well as being the recipient of the ultimate accolade: becoming a castaway on Desert Island Discs. His performances on our stages are always powerful occasions.

Baaba says: “I’m so excited that my new band will finally experience the incredibly diverse and inspirational festival that is WOMAD. It’s always such an incredible weekend.”

When his playing isn’t adorning the records of Sting, Salif Keita and Amadou & Mariam, the French-Lebanese trumpeter Ibrahim Maalouf is busy collecting plaudits and acclaim for his own work. A beautifully expressive player, this is a man who adds Arabic flavours and textures to the jazz trumpet canon. His performance promises to enchant, beguile and inspire in equal measure.

Guaranteed to raise the roof wherever they play, New Orleans’ magnificent Hot 8 Brass Band are currently celebrating their 20th anniversary as one of the city’s hardest-blowing outfits. Expect a set of many highs, including their takes on Sexual Healing and Ghost Town.

Aziza Brahim knows what it’s like to make music from adversity. Her songs are shot through with the bitterness of life in the refugee camps of Western Sahara, albeit enhanced by the warm colours of her adopted home of Barcelona.

We’re also delighted to welcome the latest incarnation of Sidestepper. Originally just a producer (Richard Blair) with a flair for fusing Colombian vocals with firing electronics, the band have since shifted towards a more percussive sound, as heard on their new Real World album Supernatural Love.

Another artist to play a significant role in Real World’s evolution was the Celtic fusionist Martyn Bennett, who died tragically young in 2005. The Grit Orchestra will revisit Martyn’s magnum opus, the album Grit, ambitiously setting the work to a full orchestration.

The Congolese polymath Baloji (rapper, poet, composer, actor, video artist…) represents the throbbing pulse of Africa’s current musical output, his sharp sense of history and heritage meshing brilliantly with up-to-the-minute electronics and words of defiance.

In recent years, several veteran musicians from the golden age of African music in the 1960s and ’70s have grabbed some belated attention from the wider world. The sweet-voiced Ghanaian singer Pat Thomas is the latest to bathe in the glow and he’ll be bringing his groove-heavy highlife and Afrobeat sounds to Wiltshire in the company of his Kwashibu Area Band.

Another veteran musician is the former Ry Cooder collaborator VM Bhatt whose latest project, Desert Slide, showcases how the blues sound in the wide-open expanses of Rajasthan. Bhatt is the inventor – and thus naturally the world’s leading player – of the mohan veena, a beautiful-sounding creation that’s somewhere between a traditional Indian stringed instrument and a Western slide guitar.

This Is The Kit is the shape-shifting, 6 Music-approved musical alias of Kate Stables, whose delicate, warm songs sound equally effective played in an acoustic duo or with a rockier full band. Guy Garvey was an early fan, declaring that the second This Is The Kit album, Wriggle Out The Restless, should have been nominated for the Mercury Prize.

Of course, ever since its birth in 1982, WOMAD has been all about the music you don’t yet know. Here’s the inside track on some unknowns who could become favourites this summer…

Afriquoi
Exhilarating London five-piece, fusing Congolese guitar, Gambian kora, Mandinka percussion and UK electronics.

Blick Bassy
Cameroonian troubadour with a gorgeous woodsmoked voice and a bagful of skin-pricking tunes.

Dom La Nena
Soft-voiced, cello-playing singer-songwriter from Brazil via Paris who’s been described as “the bossa Joanna Newsom”.

The East Pointers

Terrifically lithe and dextrous traditional trio (fiddle, banjo, guitar) from the Canadian stronghold of Celtic music – Prince Edward Island.

Ethno-Trio Troitsa
This tradition-protecting trio from Belarus blow plenty of life into handed-down folk tunes, aided by an arsenal of 50 (!) instruments.

Luna Pena
The owner of one of the most distinctive voices in fado, the deeply mournful folk music of Portugal.

Moh! Kouyate
Guinean guitarist and bandleader who applies a contemporary edge to that timeless, liquid West African sound.

Muzykanci
Dizzyingly brilliant, hurdy gurdy-enhanced folk supergroup from Poland setting dark fables to exhilarating tunes.

Tetish
Musically ambidextrous duo from Tel Aviv with a very fine line in noirish indie-pop.

These names represent a mere drop in the ocean when it comes to this summer’s complete line-up, just a few bars of the entire WOMAD symphony.

Watch this space for more announcements, including details of art exhibitions, installations, family entertainment at the World of Kids, relaxation at the World of Wellbeing, and sumptuous food, including from the artists themselves at the one-and-only Taste The World stage, all rolled in to the only event that can truly call itself The World’s Festival.

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Wasing Estate’s – Pick Your Own Pumpkins & Woodland Trail

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E-news Image - Wasing Pumpkin Event - Pumpkin Carriage - Photo Credit @Wasing1200

Wasing Estate, one of England’s most picturesque rural estates, is delighted to announce
the return of its annual ‘Pumpkins & Woodland Trail’ event this autumn, open on
selected dates from 17th-31st October. This charming seasonal experience offers
families the perfect opportunity to embrace the beauty of autumn, with enchanting
woodland trails, delicious seasonal treats, and stunning countryside views — so get your
wellies ready!

Tickets on sale HERE

Nestled in the heart of Berkshire, Wasing Estate invites visitors to explore its magical
woodland trail—thoughtfully designed for little ones, while offering plenty of
picture-perfect moments for the whole family.

Leafy pathways lead to Wasing’s rustic pumpkin patch, where a charming fairytale
pumpkin carriage awaits. After enjoying the scenic trail with plenty to spot along the
way, guests can make their way to the pumpkin field—wheelbarrow in hand!—to choose
their very own Wasing pumpkin.

Once the pumpkin-picking is done, visitors can indulge in a variety of seasonal snacks,
including crêpes, donuts and pizzas, all served under a cosy stretch tent – the perfect way
to round off an autumnal day out before heading home to carve their perfect pumpkin.

Faith Knight, Head of Communications at Wasing, says:

We are so excited to welcome visitors back to Wasing this October for the fifth year of
our Pumpkin event. It’s become a true seasonal highlight for local families, and we’re
delighted to see it grow into a cherished autumn tradition. There’s something truly
magical about welcoming visitors back year on year to enjoy the beauty of the estate,
pick their perfect pumpkin, and create unforgettable memories.


Tickets are available to purchase via: https://wasing.digitickets.co.uk

2025 Ticket prices:
£6.50 for everyone aged 2 & over. Under 2s free but still require a ticket

Opening Dates:
17th, 18th, 19th, 24th, 25th, 26th, 27th, 28th, 29th, 30th & 31st October 2025. Please
select your chosen arrival time when booking tickets.

Further information:
Located @ Wasing Pick Your Own Pumpkins, Wasing Lane, Aldermaston, RG7 4LY

More information @ www.wasing.co.uk/pumpkins

Follow Wasing Estate on Facebook & Instagram @Wasing1759

About Wasing Estate:
Wasing sees things differently. That we are inherently part of nature and that what harms
the planet ultimately harms us. Everything is connected.

As one of the most diverse rural estates in England, Wasing is truly unique – a special
place to celebrate, connect, grow and heal. The Estate is home to one of the finest
wedding venues in the country and is a stunning space where exceptional events are
hosted, including immersive musical experiences in woodland amphitheatre, The Mount.

Wasing’s farm underpins its ‘Estate to Plate’ ethos by providing delicious organic produce
and Wasing Wellbeing offers the opportunity to connect with self, each other and nature
through rejuvenating retreats & wild swimming.

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Events

Reading Festival 2025: Breakthroughs, Legends & Surprises (Review)

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Chappell Roan at Reading Festival - Photo

Once again, the August Bank Holiday brought tens of thousands to Reading for one of the UK’s most famous festivals, and this year’s edition could be one of the most eclectic in recent memory. Over three days, Reading Festival 2025 served up a unique combination of generational breakouts, nostalgic reunions, and experimental performances that made us all think about why this continues to be a rite of passage for music fans.

The Rise of Chappell Roan

If there was one artist who defined this year, it was Chappell Roan. Dressed like a gothic burlesque villainess, her Saturday night set on the Main Stage felt less like a performance and more like a coronation. Tracks such as “Super Graphic Ultra Modern Girl” and “Femininomenon” had the crowd roaring in unison, while her finale of “Good Luck, Babe!” and “Pink Pony Club” turned the field into a euphoric mass sing-along.

It wasn’t just the music — it was the sheer theatricality. Towering castle-like staging, dancers in vampiric costumes, and a confidence that suggested she’s not only pop’s brightest rising star but also a future headliner. Many left convinced the festival had its next Glastonbury-sized icon.

Hozier and the Art of Intimacy

Where Roan and BMTH went big, Hozier turned inward. His Saturday evening slot brought an almost spiritual calm to the site. Songs such as “Take Me to Church” and “Eat Your Young” had a haunting resonance, reminding us all that sometimes the best sets at a festival are the ones that silence a crowd into reverence rather than stirring them into frenzy.
While playing at Reading, Hozier stopped his music and brought a powerful perspective. In front of a sold-out crowd, he spoke candidly about Gaza, calling for “a meaningful political solution” instead of what he called “lip service”. They were political words, but more importantly, they were words of compassion.

He praised artists to are ready to tell the truth, reminding the audience that free speech and honesty in music is what makes festivals like Reading worthwhile.

The Irish singer urged unity, stressing that what people ultimately want is harmony:

“People want their neighbours to live in peace and safety. They don’t want anyone — Jewish, Muslim, LGBTQ+, whoever they are — to live in fear of hatred, racism, antisemitism or Islamophobia. What people want is respect, dignity… and peace.”
He concluded by stating that true safety and security means “seeing a Palestine that’s free from occupation and ‘free to move towards meaningful self-determination and statehood.”

The audience responded with cheers, which echoed back to him, and the field was transformed into something more than just a concert — into a place of common ground for compassion.

But despite the power of his message, the BBC hasn’t shown any of Hozier’s performance — much to the dissatisfaction of many of his fans who took to social media. One mom even posted that her daughter was looking forward to seeing the show online and was disappointed when nothing was shown.

And finally, when it sunk in for him, the audience gave him what he deserved — a raucous round of applause that rang across the field in this moment of Reading Festival history.

Bring Me the Horizon: A Cinematic Headline

On Saturday, Bring Me the Horizon proved why they’re one of Britain’s most inventive heavy bands. Their headline set fused metalcore ferocity with video-game inspired visuals and a sci-fi storyline that played out on massive LED screens.
Circle pits exploded during “Happy Song” and “Shadow Moses”, while the surprise of the night came with an emotional cover of Oasis’ “Wonderwall”, sung by tens of thousands under the Berkshire sky. With pyrotechnics, confetti, and even a political edge as Palestinian flags were waved on stage, BMTH’s performance was both spectacular and poignant — the kind of show Reading headlines are made of.

Nostalgia and Chaos: Limp Bizkit Bring the Party

For many, the most raucous moment of the weekend came courtesy of Limp Bizkit. Fred Durst and Wes Borland rolled back the years with nu-metal anthems “Nookie” and “Break Stuff”, turning the pit into pure mayhem. Their cheeky mix of covers — from Metallica to George Michael — kept fans guessing, while the communal scream of “Behind Blue Eyes” created an unlikely moment of tenderness amid the chaos.

Travis Scott Wraps Up Reading Sunday with Earth Shattering Performance

Travis Scott transformed Reading into his own planet. As soon as he burst onto the Main Stage, the energy was insane — pyro, lasers and a tidal wave of bass to shake the field. Each beat hit like tectonic plates shifting as he raced through “Sicko Mode“, “Goosebumps” and selections from Utopia with the audience bouncing like it was a human wave and mosh pits popping up across the field as if fireworks had been popped off like firecrackers. What made it emotional was the connectedness: thousands of voices screaming every word back at him, strangers on strangers’ shoulders, arms flung to the sky, swept up in his world. For one hour Reading wasn’t a festival site — it was Astroworld reincarnated with Scott’s genius as its ringleader.

Rising Stars and Surprises

Aside from the headliners, Reading 2025 upheld its tradition of breaking new talent, as Wunderhorse moved up from last year’s BBC Introducing Stage to commandeering the Chevron Stage with grunge-sounding rock that was both raw and ageless.
Bloc Party brought some early 2000s nostalgia to their loyal fans, as well as some new material, reminding everyone just why they are indie legends.

Caity Baser pulled off a packed secret set moments later, which mushroomed over social media, while Wallows managed to shake off technical gremlins to win over a packed crowd.

A Festival of Contrasts

For many years Reading Festival 2025 will be remembered for the weekend’s many contrasts — pop theatre and metal mayhem, an unbridled nostalgia coexisting with genuine rising talent, and sublime moments amid uncontrollable chaos. One moment punters were focused on a Lim Bizkit pit, only to be quieted with Hozier’s stunningly soulful voice, before throwing glitter at Chappell Roan’s pop fairytale; and before we knew it was Sunday night, Travis Scott had made the site his universe, an explosive conclusion that shook our soles! Weekend 2025 was so diverse that it showed Reading giganted in this variety, where the origin of a fan’s moment made their subsequent moment possible; and just as the weekend where unpredictability became unforgettable.

When the last firework pops in Sunday night, it is very clear that Reading Festival is not just keeping up with changing times, it is leading the charge on what new festivals can be.

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Events

Reading Festival 2025: A Guide for First-Timers

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Reading Festival

In just a few days, the town of Reading will transform into the epicentre of one of the world’s most celebrated music festivals. Music lovers from all corners will flock to Reading to experience a festival with a legacy stretching back over three decades. This year, artists such as Hozier, Chappell Roan, Bring Me the Horizon, Limp Bizkit, Travis Scott, and D-Block Europe, among many others, will light up the Reading Festival stages. If you’re planning to attend this iconic event for the first time, you’re in for a treat. This article is packed with essential tips for navigating Reading Festival 2025 — so jump right in.

The Reading Festival has become an annual tradition, drawing crowds of music enthusiasts year after year, no matter the weather. Festival-goers have braved rain, endured sweltering heat, and embraced the mud, learning the art of packing smartly. You’ll want to bring two sets of clothing, prioritising shorts and T-shirts, but it’s always wise to pack some rain gear — British weather can be unpredictable. As of today, no rain is forecast and the outlook is very pleasant, but everything can change in a heartbeat. A quality sleeping bag is a must, and remember to pack light — dragging a heavy bag while hunting for the perfect camping spot is far from fun.

Towels are essential; one can dry you off on rainy days, while the other provides a cool respite when soaked in cold water during hot spells. Wet wipes are invaluable for reasons you’ll soon discover. Sunscreen is crucial for Friday and Sunday to avoid painful sunburns that could ruin your festival experience. If you enjoy a beer (and who doesn’t?), consider bringing your own to avoid the high prices at the festival. Other must-haves include a hat for sun protection, plenty of water to stay hydrated, sunglasses, glow sticks, and a waterproof hoodie for unexpected downpours.

Selecting the right tent is key to a successful Reading Festival adventure. Choose one that stands out so you can easily find it amidst the sea of tents. Otherwise, you might find yourself awkwardly entering the wrong one more than once. Avoid pitching your tent near hedgerows or main pathways, as these areas can be problematic. The ideal spot is near a tree and close to the arena where the bands play. Finally, don’t forget to make new friends, wear your trendiest jeans, and embrace the festival atmosphere with confidence!

And most importantly, don’t miss the First Timer’s Guide from Reading Festival—it’s an essential read for newcomers.

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