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WOMAD 2024: First wave of artists revealed for Wiltshire festival

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WOMAD is thrilled to announce the first slate of global artists who will be descending to the picturesque landscape of Charlton Park in Wiltshire Thursday 25 – Sunday 28 July 2024. Aneclectic mix of talent,from newcomers to legends, unknowns to visionary songwriters  spanning every genre; R&B, hip-hop, rap, rock, blues, electro, folk, punk, jazz and everything in-between; New Orleans brass band, funkadelists, drum and bass, neo-soul, gospel, indie-pop, psychedelic rock, Qawwali, mambo, boogaloo, and flamenco.

Making their long-waited WOMAD debut are progressive hip-hop trio Young Fathers [UK], whose most recent album Heavy Heavy was described by The Guardian as “something that’s unique and completely modern, that couldn’t have been made before now.” Their upcoming performance is sure to provide a live commentary to our confused and chaotic times, as is that of Sampa The Great [Zambia], regarded as one of southern Africa’s greatest hip hop heroes, if not of the entire continent she will be bringing her unique blend of electronica, gospel, neo-soul, jazz and Zamrock to WOMAD for the very first time, with lyrics that wrestle with the themes of home, identity and injustice. Joining them at the World’s best party festival electronic trailblazer and dance icon Alison Goldfrapp [UK] will be showcasing her recent debut solo album, The Love Invention, her self-confessed “tribute to the dancefloor.”

Musical legends Amadou and Mariam [Mail] who are amongst the world’s finest musical ambassadors with their signature swinging blues will make a timely return this year long with the musical powerhouse Baaba Maal [Senegal], whose commanding vocals and timeless body of work have put him at the top of the Senegalese musical tree. Also making a triumphant return are legendary gypsy punks Gogol Bordello [USA], who still know how to cause a musical riot with their intoxicating and feverish performances and hip hop crew DAM [Palestine] who live in the mixed Israeli cities of Lydda and Haifa. Their unique sound explores an array of hard-hitting topics with universal resonance through intricate and powerful musical compositions, fusing traditional Middle Eastern sounds, the rhythm and intonation of Arabic-language rap and an unmistakeably hip-hop attitude.

Other artists hailing from across the pond are contemporary New Orleans jazz band The 79rs Gang [USA], whose extraordinary reinvention of Mardi Gras frivolity interweaves with vibrant hip-hop and rap and San Francisco’s indie-rock innovators Deerhoof [USA], known for their fabulously frenetic psychedelia will bring their improvised punk noise in full force.

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From South America come two Latin Grammy-Award winners; the euphoric sounds of Bala Desejo [Brazil],whose avant-garde approach to their carnival roots will blow audiences away and iLe [Puerto Rico]who originally made her name in alternative hip-hop group and family band Calle 13, she isknown for her varying classical latin styles, enchanting vocals and steely lyrics pushing her politics in exciting ways.

From the Real World label are Tibet’s legendary musical export Yungchen Lhamo [Tibet], the viola-playing master John Metcalfe [New Zealand] who willpresent his latest acclaimed album ‘Tree’,  the folk gospel flavoured duo The Breath [Ireland/England]andnew to the spotlight African musical sensation, The Zawose Queens [Tanzania], the daughter and granddaughter of the late great Tanzanian musician and WOMAD legend Hukwe Zawose.

WOMAD has long been a byword for thrilling musical collaborations, at this year’s gathering the first female professional tabla player Anuradha Pal willjoin forces with brothers Kedia Bandhu [India], Qawwali Flamenco [Pakistan/Spain] will fuse Sufi Islamic tradition with magnificent flamenco and experimental collaboration “41323142” [Tarta Relena, Cocanhaand Los Sara Fontan] [Catalonia/Spain] will enchant with their spellbinding harmonies.

Every WOMAD event is fuelled by the spirit of discovery, by encountering performers previously unknown and unheard, a new favourite could well be found among some of the other performers;

The Allergies [UK/USA]

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What started as the vinyl-spinning duo of DJ Moonshot and Rackabeat has evolved into a high-action live hip hop band, with funky beats and breaks a-plenty.

Ars Nova Napoli [Italy]

Vibrant re-interpreters of the folk music of their native Naples, armed with fiddles, accordion, bagpipes and the like.

Bhutan Balladeers [Bhutan]

Zhungdra music from Bhutan is among the most secret sounds made on this planet. Expect extended vocal tones, double-stringed lutes, wooden flutes, and two-stringed fiddles.

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Cerys Hafana [Wales]

Brilliant player of the triple harp, recalibrating this most challenging of instruments but never losing a drop of that Welsh flavour.

Dr Meaker [UK]

Led by the titular keyboard player, this multi-membered outfit deliver full-on, high-bpm live dance music – where nu-soul meets drum & bass.

Duo Ruut [Estonia]

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Duo Ruul’s unusual set-up finds its two female members either side of a giant zither which they both play, their voices also sharing the air on which they rise higher and higher.

Faiz Ali Faiz [Pakistan]

In Faiz Ali Faiz, the honourable tradition of qawwali singing has a true successor to the mighty Nusrat Ali Fateh Khan. A voice that soars and soars and soars.

The Great Malarkey [UK]

Spiky-edged folk-punk Londoners draw from heroes like The Pogues and Manu Chao for an intensive, unforgettable live experience that never fails to electrify.

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Henge [UK]

Call it cosmic rock, call it space rock… Manchester’s cult heroes Henge take you on an idiosyncratic, galactic musical voyage to places you have never imagined.

Hirahi Afonso [Canary Islands]

From Gran Canaria, Hirahi plays the timble, a five-stringed instrument native to the Canary Islands which he introduces to a wide, jazz-tinged repertoire with his lively band.

Islandman [Turkey]

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Trio from Istanbul who fuse gentle electronica and acoustic Turkish folk to create mellow grooves that are utterly redolent of the sun-hazed Mediterranean.

Justin Adams & Mohamed Errebbaa [UK/Morocco]

The venerable, well-travelled guitarist teams up with gnawa master musician Mohamed for a deep voyage into the heavy sounds of North Africa and beyond.

Kumbia Boruka [Mexico]

Lyon-based collective who put a 21st-century twist on cumbia, that soundtrack of Latin America. The accordion is there, the horns are there with a discernible Jamaican flavour.

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Laura Misch [UK]

Sax-playing singer-songwriter whose breathy vocals, field recordings and electronic enhancements create deeply atmospheric soundscapes.

London Afrobeat Collective [UK]

Horn-heavy grooves from London Town that reach beyond Nigerian Afrobeat and add swirling Congolese guitar and a dose of Latin bounce.

Ndox Électrique [Senegal]

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One of the most unlikely musical collaborations finds the music of the super-secretive Senegalese n’döep ritual fusing with thick and heavy electric guitars.

Noriko Tadano [Japan]

The shamisen is a Japanese lute-like instrument which, in the hands of Noriko Tadano, is played with a combination of virtuosic perfection and bluesy abandon.

O. [UK]

London duo who use a baritone sax and a drum kit to astoundingly imaginative effect, exploring the hinterland between improvisational jazz and experimental rock.

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Old Time Sailors [UK]

Set the time machine for the 19th century as this 20-strong bunch raise a chest of sea shanties from the ocean floor and fire them up in riotous, rousing fashion.

Sangjaru [South Korea]

Lithe and deft trio who – unlikely as it seems – seamlessly stitch together the swing of gypsy jazz with the folk traditions of their Korean homeland.

Seckou Keita – Homeland Band [Senegal/UK]

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Seckou is no ordinary kora player. His virtuosity is matched by his open ears and sense of adventure, whether collaborating with Welsh harpists or Cuban jazzers.

Sheelanagig [UK]

“Original jumping East European folk music” is how Sheelanagig sell themselves. Expect groove, expect exuberance, expect a fine time indeed.

Soema Montenegro [Argentina]

A complete musical free spirit, Soema is a singer, a poet, a storyteller and a shaman, and her untethered music celebrates the natural and spirit worlds of South America.

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Two Canoes [Ireland]

Aiming to recreate the feel and spontaneity of a live session in a rural Irish pub, Two Canoes deliver the goods, whether playing wistful ballads or rousing reels.

WOMAD is not just about incredible music; it has an abundance of activity; the World of Words, celebrates all things spoken; fascinating talks, thought provoking conversation and inspirational authors and the Hip Yak Poetry Shack will have some of the best-spoken word artists in the country. There will be mind-expanding talks, experiments, and performance at the Physics Pavilion; pampering and tranquility at the World of Wellbeing and luxury at the WOMAD Spa, an oasis of calm with wood-fired hot-tubs, and all-day yoga. And some of the weekend’s performers will get the chance to show off their culinary credentials in the legendary and unique Taste the World stage.

On top of that, festivalgoers have the unique opportunity to learn from experts and get involved with a whole array of workshops; from taking dance lessons to picking up a musical instrument from the other side of the globe. And at the World of Children there are more child-friendly activities and workshops than at any other festival, this year’s theme is Superheroes, the culmination of which is the now-legendary Sunday afternoon parade across the festival site. All children 13 years and under are free.

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Activists Without Borders Film Festival 2026 comes to Reading

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The fourth annual Activists Without Borders Film Festival (AWBFF) brought filmmakers, activists and community leaders together in Reading on 10-11 October for a weekend of powerful films and discussions on human rights, social justice, climate change and conflict.

Held at The Pavilion and Reading Biscuit Factory Cinema, the festival screened 23 films across six programmes: Changing Perspectives, Memory & Resistance, Climate & Survival, Humanity in Action, Voices for Justice, and Conflict & Survival.

The programme featured short and feature-length documentaries and dramas from filmmakers around the world. Each screening was followed by a discussion, giving audiences the opportunity to hear directly from filmmakers and explore the issues raised by their work.

Films from around the world

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This year, the festival received just over 200 submissions from 70 countries around the world. The selected programme brought together stories addressing human rights violations, environmental challenges, conflict, displacement and other urgent social issues.

Filmmakers travelled to Reading from Romania, Ireland, Australia, Spain, Brazil, Canada, Austria and the United States, alongside filmmakers from across the UK. Hundreds of people attended over the weekend, including local residents, activists, filmmakers, students and members of the wider community.

Celebrating filmmakers and social impact

The festival concluded on Sunday with the AWBFF 2026 Awards Ceremony, celebrating filmmakers whose work engages with important social, environmental and human rights issues. Alongside the main competitive categories, the festival presented Social Impact Awards, recognising films that raise awareness and encourage meaningful change. A total of 20 filmmakers received awards in person at this year’s festival.

The Best Documentary Award was presented to Lifeline: The War on UNRWA, a film whose executive producers were also involved in the Academy Award-nominated film The Voice of Hind Rajab. The documentary examines the work of UNRWA, the United Nations agency supporting Palestinian refugees, amid funding cuts and politically motivated attacks.

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The film was screened alongside Kim: The Long Way Home, a documentary produced by the British Red Cross, follows Kim and her family’s escape from war-torn Vietnam to Britain in the 1980s, exploring how exile and hostility shaped a lifelong commitment to justice and compassion. Together, the films prompted discussions about humanity in action across borders and generations, and the importance of supporting those working to help others.

A Social Impact Award was also presented to Brazilian journalist Dom Phillips’s wife, Alessandra Sampaio, in recognition of the story behind Missing in the Amazon: The Search for Dom and Bruno, directed by BAFTA-winning filmmaker James Rogan, who attended the festival. The documentary explores the disappearance of Phillips and Brazilian Indigenous expert Bruno Pereira in the Amazon, and the efforts of their loved ones to uncover the truth. Their search for answers helped inspire a global movement for justice and brought renewed attention to the dangers facing those who defend the Amazon and its Indigenous communities.

 The Best Animation Award went to All We Have, by Palestinian filmmakers Mahmoud Ghalwa and Amer Hilehal, while the Best Short Drama Award was presented to Nur, a film from the Democratic Republic of the Congo produced by Bridgeway Foundation.

The programme also featured films exploring homelessness and poverty in the UK, deforestation in the Amazon, the experiences of the Tigrayan community and pressing issues affecting communities around the world.

The awards ceremony was attended by Amjad Tarar, Deputy Mayor of Reading Borough Council; Shweta Ghosh, Lecturer in Screen Practices and Industries at the University of Reading; and local community leaders, activists, filmmakers and members of the film industry.

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Supporting film as a catalyst for change

AWBFF 2026 was organised by Activists Without Borders, with support from Film Hub South East and International Youth Council. The festival also received support from the BFI Film Audience Network, awarding funds from the National Lottery, helping bring the festival and its films to wider audiences.

Through its screenings, awards and filmmaker discussions, the festival created a space for audiences to engage with issues that are often complex, challenging or overlooked, while encouraging dialogue across communities and borders.

Festival Director Baazir Kaleelur Rahman said:

“Throughout history, films have changed policies, shifted perspectives and inspired action across the world. At Activists Without Borders Film Festival, we believe in the power of cinema to amplify global issues, give a voice to the unheard and turn stories into catalysts for meaningful change.”

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The festival continues to provide a platform for filmmakers who use cinema to document injustice, share lived experiences and inspire audiences to engage with the issues shaping our world.

Looking ahead to 2027

Submissions for the 2027 Activists Without Borders Film Festival will open in January 2027. Filmmakers from around the world will be invited to submit work exploring human rights, social justice, environmental issues, conflict and other subjects that can contribute to meaningful public discussion.

For the full list of selected films, award winners and photographs from the 2026 festival, visit: https://activistswithoutborders.org.uk/film-festival-2026/

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Wasing Estate’s Annual ‘Pick Your Own Pumpkins and Woodland Trail’ Event 2026

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Wasing-Pumpkin-Even-Pumpkin Carriage- Photo Credit @Wasing1759

Wasing Estate, one of the UK’s most picturesque rural estates, is delighted to announce the return of its annual ‘Pumpkins & Woodland Trail’ event this autumn, open on selected dates from 16th-31st October. This charming seasonal experience offers families the perfect opportunity to embrace the beauty of autumn, right on their doorstep, with enchanting woodland trails, delicious seasonal treats and stunning countryside views – so get your wellies ready!

Nestled in the heart of Berkshire, Wasing Estate invites visitors to explore its magical woodland trail, thoughtfully designed for little ones and filled with plenty of picture-perfect moments for the whole family. Spot woodland creatures inspired by those found on the estate, visit the peaceful area of reflection to make a wish at the wishing well and light a candle for a loved one, before exploring the mysterious Witch’s Apothecary.

Leafy pathways lead to Wasing’s rustic pumpkin patch, where a charming fairytale pumpkin carriage awaits. After enjoying the scenic trail with plenty to spot along the way, guests can make their way to the pumpkin field – wheelbarrow in hand! – to pick their perfect pumpkin.

Once the pumpkin-picking is done, visitors can head to the cosy stretch tent to choose from a wide selection of specialty pumpkins to complement their Jack O’Lantern, before tucking into delicious seasonal treats. From Wasing organic beef pasties and sausage rolls to warming pumpkin soup, the menu showcases the very best of Wasing’s estate-to-plate ethos, using organic beef reared on the estate. Crêpes, doughnuts and pizzas will also be on offer – the perfect way to round off an autumnal day out before heading home to carve their perfect pumpkin.

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Faith Knight, Head of Communications at Wasing, says:

“We’re delighted to welcome visitors back to Wasing this October for the sixth year of our Pumpkin event. It’s become a much-loved autumn tradition for local families, and we love seeing visitors return each year to enjoy the beauty of the estate, pick their perfect pumpkin and create special memories in nature”

Rooted in Wasing’s ethos of Deep Connection – to self, to one another and to the natural world – this much–loved event invites families to slow down, reconnect and create lasting memories in the heart of nature. Fresh from being named the UK’s Most Desirable Venue by Bridebook, Wasing has become the destination for meaningful experiences in nature, offering memorable moments that celebrate the beauty of the estate throughout the seasons.

Tickets are available to purchase via: http://www.wasing.co.uk/pumpkins

2026 Ticket prices:

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£6.50 for ages 2+ on weekdays and £7.50 for ages 2+ on weekends. Under 2s free but still require a ticket.

Opening Dates:

16th, 17th, 18th, 23rd, 24th, 25th, 26th, 27th, 28th, 29th, 30th & 31st October 2026. Please select your chosen arrival time when booking tickets.

Further information:

Located @ Wasing Pick Your Own Pumpkins, Wasing Lane, Aldermaston, RG7 4LZ

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More information @ www.wasing.co.uk/pumpkins

Follow Wasing Estate on Facebook & Instagram @Wasing1759

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DAY 1 – Reading Festival 2026: A Weekend of Big Performances, New Discoveries and Muddy Memories

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Charli xcx’s at Reading Festival - Photo Credit Henry Redcliffe

There is something about Reading Festival that you simply cannot replicate elsewhere. Every year, thousands of music fans descend on Richfield Avenue knowing that they are in for a weekend of huge performances, packed crowds, new discoveries and, almost certainly, some questionable weather. Reading 2026 was no different.

Across the weekend, the festival once again offered a huge variety of music, from rock and indie to rap, pop and electronic music. With major names including Charli XCX, Fontaines D.C., Dave, RAYE, Florence + The Machine and Chase & Status, there was plenty to keep the crowds moving from the opening acts through to the headline performances.

For us, one of the standout moments came from Charli XCX. Following the enormous cultural impact of her Brat era, it would have been easy to simply recreate that formula, but she chose to do something very different. Her performance was darker, more theatrical and heavily influenced by the sound and aesthetic of her latest work. A live band and army of dancers gave the set a completely different feel, while tracks such as 360, Von Dutch and Guess ensured that the Brat faithful still had plenty to scream along to.

There was also a reminder that Reading is a festival where you can stumble across something completely unexpected. Royal Blood surprised fans with a secret set at The Gallery, turning the tent into one of the liveliest places on site. Moments like this are part of what makes a festival special — you can plan your entire weekend around a timetable and still end up talking about something you never expected to see.

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The weather, naturally, had its own plans. Rain arrived during the weekend and quickly transformed sections of the site into the familiar mixture of mud and wellies that British festival-goers know all too well. Rather than killing the atmosphere, it became part of the experience. Fans carried on dancing, artists played through the conditions and the festival carried on regardless.

Away from the biggest stages, there was plenty to discover. Geese, Declan McKenna, James Marriott, Skye Newman and Villanelle were among the artists providing some of the alternative sounds across the site, while the festival continued to give younger and emerging performers an opportunity to play to a much larger audience.

And that is ultimately what keeps Reading relevant. It isn’t simply about the headline acts. It’s about discovering an artist you hadn’t heard before, arriving at a stage because you have heard a great song from somewhere, bumping into friends in the crowd, getting completely soaked and still refusing to leave, or finding yourself watching a surprise performance that wasn’t even on your original plan.

Reading Festival 2026 delivered all of that. It was big, loud, unpredictable and occasionally very muddy — but above all, it was fun. And isn’t that exactly what a summer festival should be?

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